Filmmakers have progressed a long way from the early use of those rear projection scenes. We make fun of those now however Hollywood FX had to start someplace. Today, directors can get in touch with the most recent state of the art technology to assist them tell their story. Some people believe that there is an over reliance on special effects, to the hinderance of story and characterization. New methods have had the most influence on historic epics, sci-fi and animation.
Matte painted backgrounds and miniature models served motion pictures well for a very long time, enabling futuristic motion pictures such as Fritz Lang's Metropolis. A combination of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the fantastic appearance real, in films that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. War films that required sea battle video used miniature designs in substantial water tanks. This, and a technique called traveling matte, developed the splitting of the Red Sea scene in The Ten Commandments. No miracle was beyond the power of unique effects masters.
Additional advancement came when effects supervisor Douglas Trumball created brand-new strategies for the final voyage in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas increased to the obstacle and astounded audiences with Star Wars in 1977. His team created a brand-new computer system controlled video camera that improved duplicated electronic camera movement and widescreen shots. Lucas then formed Industrial Light and Magic, the company that has pioneered Hollywood FX ever since.
Today, we are used to the idea of films being shot with a blue screen and the background being added later. Computer Graphics Imaging (CGI) dominates the scene now. Any object or person can be controlled by the computer system and combined in with the live action. This approach was put to excellent usage in Spielberg's Jurassic Park and James Cameron's Terminator 2: Judgment Day. The effects group at Pixar has actually presented it to their full length animations, such as Toy Story. The days of laboriously hand painting each frame of animation are practically gone. The Weta workshop in New Zealand has built a reputation as one of the best unique effects business, particularly because the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of technology is out of the bottle. Hollywood FX has actually made the return of the epic film possible. It would have been cost prohibitive to build a mock up of the Coliseum in Gladiator. Russell Crowe battles the lions in a CGI virtual world.
We laugh at those now however Hollywood FX had to start someplace. A combination of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the great look real, in motion pictures that included Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the business that has originated Hollywood FX ever because.
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